Anthony Doan

Acting

Red Red Red Directed by William Thomas Hodgson Oakland Theatre Project, 2024 | Anthony Doan
Red Red Red
Directed by William Thomas Hodgson
Oakland Theatre Project, 2024
As You Like It Directed by Sydney Schwindt San Francisco Shakespeare Festival, 2024 | Anthony Doan
As You Like It
Directed by Sydney Schwindt
San Francisco Shakespeare Festival, 2024
Colonialism is Terrible, but Pho is Delicious Directed by Oanh Nguyen Oregon Contemporary Theatre, 2022 | Anthony Doan
Colonialism is Terrible, but Pho is Delicious
Directed by Oanh Nguyen
Oregon Contemporary Theatre, 2022
Romeo and Juliet Directed by Katja Rivera San Francisco Shakespeare Festival, 2025 | Anthony Doan
Romeo and Juliet
Directed by Katja Rivera
San Francisco Shakespeare Festival, 2025
Porcelain Directed by Erika Clark Theatre Woks at UC Irvine, 2020 | Anthony Doan
Porcelain
Directed by Erika Clark
Theatre Woks at UC Irvine, 2020
The Two Gentlemen of Verona
Directed by Ely Sonny Orquiza
San Francisco Shakespeare Festival, 2025
Titus Andronicus Directed by Scott Kaiser Island Shakespeare Festival, 2023 | Anthony Doan
Titus Andronicus
Directed by Scott Kaiser
Island Shakespeare Festival, 2023
The 39 Steps Directed by Susi Damilano San Francisco Playhouse, 2024 | Anthony Doan
The 39 Steps
Directed by Susi Damilano
San Francisco Playhouse, 2024
Eight Nights Directed by Michael Champlin Pear Theatre, 2022 | Anthony Doan
Eight Nights
Directed by Michael Champlin
Pear Theatre, 2021
Cyrano de Bergerac: A Queeroic Comedy Directed by Erin Murray Island Shakespeare Festival, 2023 | Anthony Doan
Cyrano de Bergerac: A Queeroic Comedy Directed by Erin Murray Island Shakespeare Festival, 2023

Click to Download:

Headshot
Resume

“Anthony Doan knows precisely how to milk the comedy from [the] text, and he handles the shifting between accents with deftness and skill.”

Patrick Thomas, Talking Broadway

“Multi-talented Anthony Doan […] creatively — and sometimes humorously— transitions between four distinct characters [and] is a captivating spectacle.”

Patricia L. Morin, Front Row Review